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Kardas collection

 Collection
Identifier: WASH-045

Scope and Contents

The Kardas collection documents, through photographs and correspondence, the life, art, and work of the Kardas family from the 1930s to 2016. Most of the collection is made up of Ray Kardas’ photographic works. Jinny Kardas’ portion also documents her art (which is with the Sears Art Gallery, Utah Tech University) through photographs. Edward Larrabee documented his archaeological work, and Susan her travels, hobbies, and family life.

Ray's photo diaries make up the first part of this collection, in which he added at least one photo per day into handmade photo diary scrapbooks from 1986 to 2013. These diaries are remarkable for the way in which they are bound. Ray folded large sheets of paper accordion-style, which he then glued between two particleboard covers, and gave each cover a unique design. Ray then added photos to both sides of the accordion pages. The design of the albums does not include a spine, allowing readers to view both sides of each page; so the scrapbooks to be opened both from the right and left sides of the cover. In addition to the daily photo diaries, Ray and Jinny both have a collection of scrapbooked albums of trips and moments in their lives in handmade albums similar to those described above. The photo albums organized under Jinny’s name primarily feature photos of her, but were likely organized by Ray. Edward’s portion of the collection consists mainly of photographs taken on the various archaeological digs on which he participated and supervised; with a few pictures of his non-professional hobbies, family photos, and travel photos. These records are mainly in 35 mm slide format and focus primarily on topics such as the American Revolutionary and Civil Wars, early North American settlements, and Native American settlements. Most of Edward’s projects took place near his home in New England, specifically in New York, New Jersey, Pennsylvania, Virginia, and West Virginia, with a few major projects in Washington State, and later (after retirement) in Hurricane, Utah. This portion of the collection is not organized into scrapbooks, but slide preservers chronologically and by the project.

Susan’s contribution to the collection is also not organized into scrapbooks, but consists mainly of photographs of family life and the hobbies she enjoyed outside of her professional responsibilities, such as her pets, family scenes, and her travels. Her portion of the collection is organized topically and chronologically.

Dates

  • Creation: 1930 - 2016

Creator

Conditions Governing Access

The collection is open and freely available to researchers during Special Collections hours or by appointment. Researchers must complete an Application for Use and show a photo ID prior to accessing materials.

Conditions Governing Use

Copyright restrictions may apply. Permission to publish, quote, or reproduce must be obtained from the Special Collections and Archives.

Biographical / Historical

Raymond "Ray" Stanley Kardas was born January 24, 1921, to Andrew and Mary Kardas and grew up in Connecticut. He served in World War II and was stationed in England, France, and Germany. Upon his return to the United States at the end of the war, he began working as an engineer at Wesleyan University in Connecticut and married Virginia "Jinny" Becker in 1947. He and Jinny adopted Susan P. Field around 1950. The family moved to Florida in the late 1950s or early 1960s where Ray began work as an engineer at the Cape Canaveral National Aeronautics and Space Administration (NASA) base. During his time with NASA, Ray began scrapbooking photographs of trips and moments in his life into handmade photo albums, a hobby he continued for the rest of his life.

Ray and Jinny retired to Los Angeles, California in the 1970s, where they were frequently visited by their daughter, Sue and her husband, Edward Larrabee. It was during Ray’s retirement that he began compiling a daily photo diary, in which he would place at least one photo a day into handmade albums. Throughout his life, he and his family traveled extensively through Europe, the United States, Mexico, and Central America. Ray and Jinny moved to St George, Utah in the early 2000s to be closer to their daughter. Here, Ray experimented for the first time with digital photography. He died in Hurricane, Utah in 2013.

Virginia "Jinny" Rose Becker Kardas was born in rural Connecticut in 1922 to Alex and Rose Becker. She attended Boston College planning to major in science. She had a great love of animals, plants, history, literature, and medieval architecture. During World War II, she worked in Washington, D.C. as a newsreader in the Pentagon. She met her future husband, Raymond S. Kardas through their mutual love of learning and the arts around 1947, and adopted their daughter, Susan Field in 1950. While Jinny never worked outside of the home, she continued to develop her interest in art through oil painting and ceramics, eventually acquiring a kiln and pursuing her passion in medieval European architecture, constructing ceramic cathedrals and castles modeled after those she visited on her family's travels. She died in Hurricane, Utah in 2011.

Susan P. Field Kardas was born in 1947 and was adopted by Ray and Jinny around 1950. She received a BA from the University of California and went on to obtain a doctorate in Cultural Anthropology / Archaeology from Bryn Mawr College (Pennsylvania) in 1971. In 1966, she married Edward Larrabee and started going officially by the last name of Kardas. In 1975, they formed the contracting firm, Historic Sites Research, based originally in Princeton, New Jersey. She and Edward had many pets, most notably cats and dogs, often competing in dog shows and dog sled races. They moved their firm to Southern Utah in 1996, and she and Edward retired to Hurricane, Utah. Together they wrote archaeology reports for the local area, including the Orson B. Adams Farmstead in Harrisburg, Utah. She died in 2016.

Edward Conyers McMillan Larrabee was born on August 21, 1932, in Oxford, England. He graduated from Reed College in 1955 and began a career in historical archaeology with Washington State Parks. He continued his historical archaeology education with an MA from the University of Washington in 1958, and a doctorate at Columbia University in 1970. For a number of years, he worked on projects for the National Park Service, including studies related to John Brown’s raid and the military facilities at Harpers Ferry, West Virginia, Appomattox Court House in Virginia, and the Civil War defenses of Washington, D.C. He was senior archaeologist at the restoration of the Fortress of Louisbourg in Nova Scotia. He taught in the anthropology departments of Hunter College and John Jay College (City University of New York) and was a founding member of the Society for Historical Archaeology. He lived in New Jersey for most of his career, but retired with Sue to Hurricane, Utah in 1996, where he died in 2006.

Full Extent

47 Linear Feet (77 tall gray legal document cases, 1 gray letter document cases, 6 tan cubic foot boxes, 2 blue cubic foot boxes, and 4 brown non-archival boxes)

Language of Materials

English

Metadata Rights Declarations

  • License: This record is made available under an Attribution-NonCommercial-ShareAlike 4.0 International Creative Commons license.

Abstract

The Kardas collection consists of photo diaries, albums, loose photos, negatives of varying types, and some personal papers of the Kardas family. It documents their lives and the world they lived in from the 1930s to 2016 while they lived in Connecticut, New Jersey, Florida, California, and Utah; and traveled and worked even farther afield.

Arrangement

The Kardas collection is divided into four series: Ray’s Photo Diaries, Photo Albums, Photos and Negatives, and Personal Papers.

Ray’s Photo Diaries Series consists of Ray’s photo diaries, in which he collected one photo per day in homemade albums from 1986-2013. This series is arranged chronologically.

Next, the Photo Albums Series consists of family photo albums and is significantly larger than the first series. This series, also organized into handmade albums, documents more fully the life and times of the family from 1931-2013. The albums are organized mainly chronologically, with a few scrapbooks organized topically. This series is arranged into three subseries: Ray’s Photo Albums, Jinny’s Photo Albums, and Topical/Miscellaneous Photo Albums. Ray’s Photo albums span from 1931 to 2012 and consist mainly of his travels, family life, and hobbies from the time he was very young; a small portion of them document his professional life at Wesleyan University and elsewhere. Jinny’s Photo Diaries consist of photo albums that were either made by Jinny or were made by Ray and consist mainly of photos of her. This subseries, arranged chronologically, spans from 1925 to 2012 and documents Jinny’s early life, hobbies, and the role that she took as a wife, mother, craftswoman, and artist. The Topical/Miscellaneous Photo Albums consist of photo albums spanning from 1939 to 2013 that represent miscellaneous topics and showcase the lives of all the members of the family. This series is also arranged chronologically.

The Photos and Negatives Series consists of the loose photos and negatives taken by all the members of the family from 1939 to 2013. This portion of the collection has no defined subseries but it is organized by the person who took them and then chronologically. Ray’s and Jinny’s portion of this series are filed together and documents Ray’s professional life, family travels, and Jinny’s art. Sue’s portion of this series mainly consists of photographs of family life and the hobbies she enjoyed outside of her professional responsibilities such as her pets, family scenes, and her travels along with some photos of artifacts and other professional concerns. Edward’s contribution to this series is nearly all professional with a small portion representing family, travel and his other hobbies.

The Personal Papers Series consists of the personal papers and limited family records of the Kardas family. These papers are organized by who wrote them and are interfiled chronologically with the Photos and Negatives Series. Ray and Jinny’s contribution to this series is the largest and is made up of Ray and Jinny’s art notebooks / sketchbooks, personal documents such as tax and travel documents, along with Ray’s professional documents and Jinny’s educational documents. Sue’s portion of this series is made up of a copy of her doctorate thesis, a mostly blank journal, and correspondence. Most of the correspondence is from her parents while she lived across the country but a small portion is from friends. Edward’s portion of this collection consists of letters from friends and miscellaneous postcards he collected.

Custodial History

Collection was donated after the death of all family members as part of the distrubtion of assets from the family's trust. Lyle Drake was the attorney who facilitated the exchange. A substanisal monetary donation was given to assist with the processing of the collection.

Bibliography

130 pieces of Ray and Jinny Kardas’ artwork is housed at the Sears Art Museum and Gallery at Utah Tech University.
Author
Cadence Summers, Special Collections student worker
Date
May 2019
Description rules
Describing Archives: A Content Standard
Language of description
English
Script of description
Latin

Repository Details

Part of the Utah Tech University Special Collections and Archives Repository

Contact:
330 Holland Centennial Commons
225 South 700 East
Saint George 84770 United States
(435) 634-2087